Hire Sony PMW-500 in Shanghai China? ShootInChina is a video production company based in Shanghai China, email us for the quote now: email@example.com The PMW-500 is a full Broadcast HD Camcorder shooting to 50Mb 4:2:2 on removable XDCAM EX SxS removable storage. The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording and effectively does the same job as the PDW-F800 but instead of shooting to XDCAM HD disks, it records instead to removable solid state memory cards. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX models. On paper it does everything – 1080i and 1080p, slow motion ramping up to 60p using 720/50and 720/60 modes; firewire output; non-linear capture; great workflow; 2/3” lens mounting which means that a vast lens selection is available to hire for it. It also can switch between shooting in 720/50 or 720/60 modes for true US or European HD acquisition. The camcorder is supplied with 4 x 32GB cards for the regular price with 4 hours of HD storage. You can add a KJ16x HD zoom lens for an additional £20 for a budget deal or an HJ22 or HJ11 lens for an additional £100 per day. 32GB SxS Cards (2 hour at HQ mode) 64GB SxS Cards (4 hours at HQ mode) Optional XDCAM Reader/Writer as an interface for pc/mac without having to use the camera as a reader unit. Optional HDVF-C35W Colour Viewfinder to replace monochrome standard eyepiece.
Hire Sony PDW-F800 in Shanghai China? ShootInChina is a video production company based in Shanghai China, email us for the quote now: firstname.lastname@example.org Sony XDCAM HD Camcorder 2/3″ shooting 50MB XDCAM HD to XDCAM HD disks. This is the same camera as the PDW-700 but also undercranks using 720p 60p slow motion with some added features Thanks to its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio. It is equipped with three 2/3-inch type 2.2-megapixel HD CCDs, which are also used in the well-proven HDC-1500 Sony Multi-format HD Camera. Based on Sony Power HAD FX sensor technology and the latest on-chip lens structure, this CCD offers a high sensitivity of F12 at 50Hz and an excellent signal-to-noise ratio of 59dB with NS. It incorporates a high-performance 14-bit A/D converter that enables images captured by the high-performance CCDs to be processed with maximum precision. In particular, this high-resolution A/D conversion allows the gradation in mid-to-dark-tone areas of the picture to be faithfully reproduced. Thanks to the 14-bit A/D converter, pre-knee signal compression in highlighted areas can be eliminated, and the camera can clearly reproduce a high-luminance subject at a 600% dynamic range. It records uncompressed four-channel, 24-bit audio. It is also equipped with a range of audio interfaces. In addition to this performance, a wide variety of capturing modes including 1080/50i, 1080/59.94i, 1080/25P and 1080/29.97P are available. These are not fitted with the SD option to allow SD acquisition One of the big appeals of the PDW-F800 is its highly flexible multi-format recording capability. Users can select a recording format from HD (MPEG HD422 and MPEG HD) and SD (MPEG IMX and DVCAM), 59.94i/50i interlace mode, or 29.97P*/25P progressive mode. Recording Durations MPEG HD422, 50 Mb/s: Approx. 95 min. (PFD50DLA (50GB dual sided disk), Approx. 43 min. (PFD23A, 23 GB single sided disk) MPEG HD(*1), 35 Mb/s: More than 145 min. (PFD50DLA), More than 65 min. (PFD23A) MPEG HD(*1), 25 Mb/s: Approx. 190 min. (PFD50DLA), Approx. 85 min. (PFD23A) MPEG IMX(*2), 50 Mb/s: Approx. 100 min. (PFD50DLA), Approx. 45 min. (PFD23A) MPEG IMX(*2), 40 Mb/s: Approx. 120 min. (PFD50DLA), Approx. 55 min. (PFD23A) MPEG IMX(*2), 30 Mb/s: Approx. 150 min. (PFD50DLA), Approx. 68 min. (PFD23A) DVCAM(*2), 25 Mb/s: Approx. 185 min. (PFD50DLA), Approx. 85 min. (PFD23A) Optional XDCAM Reader/Writer as an interface for pc/mac without having to use the camera as a reader unit.
Hire Sony FS700 NXCAM in Shanghai China? ShootInChina is a video production company based in Shanghai China, email us for the quote now: email@example.com Sony NEX-FS700 large Sensor Camera with up to 960p slow motion capability and 4K record option. Camcorder with E mount and adaptation available for PL film lenses and also DSLR lenses too with relevent adapter. The Sony FS700 is an NXCAM camcorder with a superior Super35mm CMOS sensor, super slow-motion capability and an interchangeable E-mount lens system, offering unrivalled flexibility and creative expression. The FS700 is also supplied with the SEL 18200 (E 18–200mm F3.5–6.3 OSS) 11x zoom E-Mount lens, with the Optical SteadyShot™ image stabilisation system. This is an exceptional camcorder for slow motion as it shoots up to 480 frames per second at 1920×1080 or up to 960 frames per second at 1280×720, however be aware that this is at 21 Mb per second AVCHD codec, so far from Broadcast quality – still for snippets of super slo-mo, it is fantastically good and exceptional value for money. The camera has a Broadcast quality sensor (actually 4K), though the on-board recording device only records in AVC HD codec at 25Mb/second, so it requires an external HD recorder such as NanoFlash/Ki Pro/Samurai etc for Broadcast acquisition and this won’t work at slow motion speeds either. If you want to shoot 4K, you will need to use a suitable external 4K recorder such as Gemini 4K etc but our cameras are modified to output 4K. Our kits are supplied with 2 c 32GB Class 10 SD cards which will allow up to 6 hours recording at 25p: At FX, 175mins rec per 32GB @25p At FH, 233mins rec per 32GB @25p At PS, 150mins rec per 32GB @50p Essential Accessory Why not upgrade to include a full ARRI Cage kit with additional mounting points, secure handle and large ‘coffin case’ to allow a fully assembled camera to be transported. Use EOS lenses If you are shooting using EOS lenses, then consider the Metabones adapter or if shooting slow motion, the Metabones Speedbooster, which allows EOS lenses to be fitted with focus and autofocus function, whilst gaining one stop of light High-end production functionality Based on customer feedback, the FS700 includes a number of features providing familiar professional operation and workflows, including 50/60Hz switchability, built-in ND filters, 3G-SDI interface and an enhanced exterior design. 4K “Exmor” Super 35 CMOS sensor The FS700 camcorder uses a new 4K “Exmor” Super 35 CMOS sensor (total 11.6 million pixels). This high-speed readout chip is optimised for motion picture shooting, giving high sensitivity, low noise and minimal aliasing. A future firmware upgrade will enable the FS700 to output 4K RAW bit-stream data over 3G HD-SDI when used with an optional external 4K recorder. Super slow motion at 10x at full HD or 40x at lower resolutions Incredible super slow motion capability of up to 10x slow motion at full HD resolution or up to 40x slow motion at a reduced resolution, giving you creative options that were once only available with specialist high-end equipment. E-mount interchangeable lenses offer a wide choice of lenses The E-mount interchangeable lens system utilises an extremely short flange back distance allowing you to use a huge array of lenses via a range of adaptors giving you almost unlimited creative options. SEL 18200 lens supplied The supplied SEL18200 (E 18–200mm F3.5–6.3 OSS) with the FS700 boasts 11x zoom power, a quiet AF motor for cleaner sound recording, and Optical SteadyShot™ image stabilization with an advanced Active mode that lets you take steady handheld shots while walking around — even without a bulky stabilization rig. Built-in ND filters The FS700 features built-in, ultra-thin ND filters, offering exceptional shallow depth-of-field on highlights. It also means less accessories to manage as no external ND filters are required. 3G-SDI interface and HDMI A 3G-SDI output enables easy integration with highest quality recording formats. Exceptional ergonomics The FS700 has a refined ergonomic design with a robust detachable handle and grip. Switchable 50 Hz and 60 Hz shooting The FS700 is switchable between 50 Hz and 60Hz to allow 24p shooting in PAL areas and no PAL/NTSC limitations. Selectable magnification and positioning of expanded focus Expanded focus improvement allowing 4x and 8x magnification and a moveable area of expansion for easy focusing with shallow depth of field. Camera profile settings storage on memory card Up to 99 camera profile settings can be stored, allowing rapid adaptation to multiple shooting environments without time wasted adjusting parameters. Settings are also easily shared in multi-camera productions.
The post Shanghai China hire Sony FS700 NXCAM Slow Motion Camera appeared first on Shoot In China.
Hire RED EPIC Camera in Shanghai China? ShootInChina is a video production company based in Shanghai China, email us for the quote now: firstname.lastname@example.org RED EPIC™ 5K large sensor digital film camera. The best RED yet with amazing 400fps slow motion capability and 5K images with the streamlined RED workflow. A streamlined package specifically designed to maximise shooting options with upgraded accessories from Element Technica and Anton Bauer. A 35mm PL lens mount allows you to take advantage of beautiful film lenses – choose from Cooke S4, Cooke Panchros, Zeiss Compact Prime, UltraPrime or SuperSpeed lenses. The original EPIC was called EPIC-M, as it used the Mysterium Sensor shared with the RED MX and now upgraded to the X sensor. Amazing 400fps Slow motion Shoot up to 120fps in 5K or up to 400fps in 1K – note that by shooting in 1K mode, you will have a crop factor of around 50%, so a 24mm lens will act like a 50mm lens for example. The example below shows a 300fps 2K shot of a hotshoe mount being dropped into a glass of water. If you are careful, you can see a perfect still of the hotshoe mount. Up to 18 stops of Latitude with HDRx The original EPIC was called EPIC-M, as it used the Mysterium Sensor shared with the RED MX and now upgraded to the Mysterium X sensor. This is a 14 Megapixel chip (5120×2700 pixels) with 13.5 stops of latitude and up to 18stops with the HDRx mode whereby the camera effectively takes a dual exposure and you have the ability to decide how best to take the best information from the fast and the slow exposure at either end of the latitude spectrum. Proxy I stated above that the RED workflow is very well established but the truth is that sometimes, the quality of the RED codec is too good for small screen productions and it can sometimes be easier to bypass the on-board record function using RED codec and RED post production route if you are shooting for TV or even the internet! If this applies to you, then do consider that the Ki pro mini external recorder and Soundevices pix 240 shoots onto Compact Flash cards and will record a high end HD at very high qualities. As with the RED, the quality recorded is adjustable and you can set the external recorders to shoot from 50Mb/s up to 220Mb/second in 10 bit 4:2:2!. In English, this means that you can record up to 400fps and immediately play back the material from the camera and record onto an external recorder with no rendering; then insert this media into Final Cut Pro for immediate use with no rendering – very easy! The ‘usable proxy’ setting allows the camera output to be recorded and include such metadata information such as the clip name and timecode for later online conversion and de-bayerning if you want to. It is important to mention that if you use the above approach for high speed, then since the Ki Pro does not support high speed, then the high speed material would be laid off as a regular 24 or 25fps slowed down recording and that you will lose the metadata from the RED camera, so this will only be useful if the proxy file is the final version used in post. The advantage though is that it greatly simpifies post production for you. shootinchina Epic Camera Systems EPIC-X Brain with titanium PL mount Bomb EVF® with cable Bomb Noga support arm 5in Touchscreen LCD with cable DSMC Side Handle DSMC Side SSD Module Side handle plate REDmote Mains power with iec AB battery bracket with speedy clamp with built in cable 4pin Canon to mains cable 4pin lemo to 3 x bnc sync cable DSMC Tactical top Action Products bottom plate with 2 x mini jack to XLR cables Top Bracket with 3 inch short bar for Anton Bauer bracket Small bracket with 2 x screws Spare speedy clamp Arri BP8 Plate with sliding plate 4x 128GB SSD cards 2x REDVolt batteries and travel charger Redmag 1.8” redstation with mains adapter Firewire 800 cable Mini USB to USB Cable USB to power cable 2 x Anton Bauer TM-4 4 way charger 8 x Anton Bauer Dionic HC batteries Suitable rigs available for hire are the Mantis shoulder kit which works very well if used for long periods with the Easyrig Cinema 3. DIT Operator and Mac – loaded with Final Cut Pro, Red cine, Red_alert and also Red cine-x available if you book a VMI DIT.
Kino Flo is a easy installed light suits the close up full body scale of shots, it’s good to work with this light because it always owns the best color balance, it works with the environment light too.
Hire Kino Flo Shanghai,shanghai kino flo, shanghai kino flo rent, shanghai kino flo hire,
videoproductionshanghai is proud to have this camera to our clients: Canon C300. it’s a cinematic camera with a good price and it’s working with DSLR lens, 32G*2 CF cards usually can hold you roughly 4 hours, it’s been called the next “documentary” camera, if you are in Shanghai China and looking forward to rent this camera, feel free to contact us.