Hire Sony PDW-F800 in Shanghai China? ShootInChina is a video production company based in Shanghai China, email us for the quote now: email@example.com Sony XDCAM HD Camcorder 2/3″ shooting 50MB XDCAM HD to XDCAM HD disks. This is the same camera as the PDW-700 but also undercranks using 720p 60p slow motion with some added features Thanks to its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio. It is equipped with three 2/3-inch type 2.2-megapixel HD CCDs, which are also used in the well-proven HDC-1500 Sony Multi-format HD Camera. Based on Sony Power HAD FX sensor technology and the latest on-chip lens structure, this CCD offers a high sensitivity of F12 at 50Hz and an excellent signal-to-noise ratio of 59dB with NS. It incorporates a high-performance 14-bit A/D converter that enables images captured by the high-performance CCDs to be processed with maximum precision. In particular, this high-resolution A/D conversion allows the gradation in mid-to-dark-tone areas of the picture to be faithfully reproduced. Thanks to the 14-bit A/D converter, pre-knee signal compression in highlighted areas can be eliminated, and the camera can clearly reproduce a high-luminance subject at a 600% dynamic range. It records uncompressed four-channel, 24-bit audio. It is also equipped with a range of audio interfaces. In addition to this performance, a wide variety of capturing modes including 1080/50i, 1080/59.94i, 1080/25P and 1080/29.97P are available. These are not fitted with the SD option to allow SD acquisition One of the big appeals of the PDW-F800 is its highly flexible multi-format recording capability. Users can select a recording format from HD (MPEG HD422 and MPEG HD) and SD (MPEG IMX and DVCAM), 59.94i/50i interlace mode, or 29.97P*/25P progressive mode. Recording Durations MPEG HD422, 50 Mb/s: Approx. 95 min. (PFD50DLA (50GB dual sided disk), Approx. 43 min. (PFD23A, 23 GB single sided disk) MPEG HD(*1), 35 Mb/s: More than 145 min. (PFD50DLA), More than 65 min. (PFD23A) MPEG HD(*1), 25 Mb/s: Approx. 190 min. (PFD50DLA), Approx. 85 min. (PFD23A) MPEG IMX(*2), 50 Mb/s: Approx. 100 min. (PFD50DLA), Approx. 45 min. (PFD23A) MPEG IMX(*2), 40 Mb/s: Approx. 120 min. (PFD50DLA), Approx. 55 min. (PFD23A) MPEG IMX(*2), 30 Mb/s: Approx. 150 min. (PFD50DLA), Approx. 68 min. (PFD23A) DVCAM(*2), 25 Mb/s: Approx. 185 min. (PFD50DLA), Approx. 85 min. (PFD23A) Optional XDCAM Reader/Writer as an interface for pc/mac without having to use the camera as a reader unit.
Hire RED EPIC Camera in Shanghai China? ShootInChina is a video production company based in Shanghai China, email us for the quote now: firstname.lastname@example.org RED EPIC™ 5K large sensor digital film camera. The best RED yet with amazing 400fps slow motion capability and 5K images with the streamlined RED workflow. A streamlined package specifically designed to maximise shooting options with upgraded accessories from Element Technica and Anton Bauer. A 35mm PL lens mount allows you to take advantage of beautiful film lenses – choose from Cooke S4, Cooke Panchros, Zeiss Compact Prime, UltraPrime or SuperSpeed lenses. The original EPIC was called EPIC-M, as it used the Mysterium Sensor shared with the RED MX and now upgraded to the X sensor. Amazing 400fps Slow motion Shoot up to 120fps in 5K or up to 400fps in 1K – note that by shooting in 1K mode, you will have a crop factor of around 50%, so a 24mm lens will act like a 50mm lens for example. The example below shows a 300fps 2K shot of a hotshoe mount being dropped into a glass of water. If you are careful, you can see a perfect still of the hotshoe mount. Up to 18 stops of Latitude with HDRx The original EPIC was called EPIC-M, as it used the Mysterium Sensor shared with the RED MX and now upgraded to the Mysterium X sensor. This is a 14 Megapixel chip (5120×2700 pixels) with 13.5 stops of latitude and up to 18stops with the HDRx mode whereby the camera effectively takes a dual exposure and you have the ability to decide how best to take the best information from the fast and the slow exposure at either end of the latitude spectrum. Proxy I stated above that the RED workflow is very well established but the truth is that sometimes, the quality of the RED codec is too good for small screen productions and it can sometimes be easier to bypass the on-board record function using RED codec and RED post production route if you are shooting for TV or even the internet! If this applies to you, then do consider that the Ki pro mini external recorder and Soundevices pix 240 shoots onto Compact Flash cards and will record a high end HD at very high qualities. As with the RED, the quality recorded is adjustable and you can set the external recorders to shoot from 50Mb/s up to 220Mb/second in 10 bit 4:2:2!. In English, this means that you can record up to 400fps and immediately play back the material from the camera and record onto an external recorder with no rendering; then insert this media into Final Cut Pro for immediate use with no rendering – very easy! The ‘usable proxy’ setting allows the camera output to be recorded and include such metadata information such as the clip name and timecode for later online conversion and de-bayerning if you want to. It is important to mention that if you use the above approach for high speed, then since the Ki Pro does not support high speed, then the high speed material would be laid off as a regular 24 or 25fps slowed down recording and that you will lose the metadata from the RED camera, so this will only be useful if the proxy file is the final version used in post. The advantage though is that it greatly simpifies post production for you. shootinchina Epic Camera Systems EPIC-X Brain with titanium PL mount Bomb EVF® with cable Bomb Noga support arm 5in Touchscreen LCD with cable DSMC Side Handle DSMC Side SSD Module Side handle plate REDmote Mains power with iec AB battery bracket with speedy clamp with built in cable 4pin Canon to mains cable 4pin lemo to 3 x bnc sync cable DSMC Tactical top Action Products bottom plate with 2 x mini jack to XLR cables Top Bracket with 3 inch short bar for Anton Bauer bracket Small bracket with 2 x screws Spare speedy clamp Arri BP8 Plate with sliding plate 4x 128GB SSD cards 2x REDVolt batteries and travel charger Redmag 1.8” redstation with mains adapter Firewire 800 cable Mini USB to USB Cable USB to power cable 2 x Anton Bauer TM-4 4 way charger 8 x Anton Bauer Dionic HC batteries Suitable rigs available for hire are the Mantis shoulder kit which works very well if used for long periods with the Easyrig Cinema 3. DIT Operator and Mac – loaded with Final Cut Pro, Red cine, Red_alert and also Red cine-x available if you book a VMI DIT.
Kino Flo is a easy installed light suits the close up full body scale of shots, it’s good to work with this light because it always owns the best color balance, it works with the environment light too.
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ShootInChina provides a wide range of video equipment rental, video equipment includes: -Red Epic, Red Dragon, Red MX, Red Scarlet, -Arri Alexa -Canon C300, C500, C100, 5D MARK II, 5D MARK III, -Sony FS700, EX1, EX3, PDW700 -Sound Equipment, Wireless Microphone, Boom Mic, Mixer, -Tripod, Sachlter, -Lens, Cine Lens, Canon Lens, UP Lens,Zesis Lens